Waves Broadcast and Production

Broadcast & Production

32 plugins for mixing, mastering, restoration & more

A Curated Collection for Broadcast Sound Refinement

This comprehensive plugin collection is the audio professional’s choice to master, repair, refine, and polish soundtracks, narration, effects, and dialog. From network TV studios to Hollywood soundstages, Broadcast & Production is the key to solving problems and enhancing quality.

In the fast-paced world of audio production, time is money. With smooth workflow and tools optimized for specific needs, this plugin suite delivers superior sound under the tightest deadlines.

Doubler

Thicken voices, spread mono instruments, suffuse space in mixes, beautify background vocals, augment acoustic guitar parts, do stunning sound design—then go even further.

The secret to Doubler’s sound is that it can reinforce doubling with another layer of doubling. With 4 voices, up to 100 ms of delay, and modulation, Doubler is a classic vocal doubling solution.

Eddie Kramer Drum Channel

Eddie Kramer’s acclaimed production and engineering with Led Zeppelin, Hendrix, and the Rolling Stones tells all you need to know about his drum sound. For a huge Zep-like sound drenched in atmosphere, to a squashed Hendrix sound, to dirty like the Stones, Eddie’s drum expertise can now grace your projects.

Designed for multi-tracked drums, the Drum Channel captures Eddie Kramer’s drum mixing chains in detail. The plugin has optimized settings for toms, kick, snare, high-hat, overheads, and room mics—everything you need to make each part of the kit come alive.

Electric Grand 80 Piano

The CP series of electro-acoustic pianos were integral to the sound of late 70s/early 80s pop giants, from Phil Collins and Elton John to ABBA, U2, Toto, Hall & Oates and Billy Joel. Occupying the space between acoustic and tine-based pianos, the CP series made touring with a piano possible—without needing to haul a grand.

With a more focused sound than acoustic pianos, and a more complex sound than tine-based electric pianos, Electric Grand 80’s reverberant chords and shiny, polished leads slide into mixes with ease.

eMo F2 Filter

So many issues need only a simple high or lowpass filter—prevent bass buildup, reduce hiss, keep low frequencies out of reverb, fix acoustics issues, reduce amp sim harshness, minimize mic p-pops, and more. So why dig through multiple parametric EQ stages to find what you need?

eMo F2 Filter’s touch-friendly interface, full LV1 compatibility, zero latency, and low CPU consumption make it a natural for fixing live performance problems—quickly and simply.

eMo Generator

A test tone generator may not be glamorous… but it sure is useful. When used with a spectrum analyzer (like those in the F6, GEQ, and H-EQ), pink noise reveals filter curves, differences among EQ designs, and distortion components. Or, gate sine waves or noise to supplement drum sounds.

Mix in pink noise to emulate listening to mixes while driving. Use sine waves to find room resonances, ring out PA systems, check your hearing, and more—don’t miss out on this useful tool.

Also Includes