Waves CLA Classic Compressors

CLA Classic Compressors

Classic compressors, revered by generations of engineers

Mix with the King of Compression’s Personal Processors

Chris Lord-Alge’s big, aggressive mixes squeeze every ounce of power out of his compressors. Whether he chooses the CLA-2A’s sweet smoothness, the CLA-3A’s transparency, or the lightning-fast CLA-76 (blue or black), these classic processors provide the quality sound he demands.

Modeled from CLA’s personal collection of expertly maintained “golden” units, these outstanding plugins let you mix with the sound that has powered hits from Grandmaster Flash to Green Day.

Choose the Right Compressor—for Any Application

Go-To Analog Compression for Vocals and Beyond

Renowned for wrapping vocals with silky-smooth compression, the CLA-2A is also a favorite for bass, guitar, and many other instruments—thanks to tube warmth, a sweet attack, and decays that are never choppy.

The Solid Sound of the 70s

The CLA-3A models the tight, punchy dynamics effects used for drums, bass, and guitar in high-end 70s studios. It combines solid-state circuitry’s fast attack with the gentle release of optical-based compression/limiting.

Rock Royalty’s Choice for Drums

For drums, the CLA-76’s tight compression from program-dependent attack/release times, and the incendiary “all-button” mode, are unparalleled. Then, add harmonic distortion—for a muscular sound that erupts with power.

Double Your 1176 Options

Two of CLA’s favorite versions, “blue” and “black,” have different gain stages, time constants, and harmonic distortion. But both have the lightning speed needed to handle transients with speed and accuracy.

Added Mix Knobs for Parallel Compression—and More

You won’t spend hours tweaking the settings with any of these compressors. They’re truly plug-and-play—dial up the sound you want in seconds, including easy parallel compression with the added Mix control, and quick level adjustments with the added Trim control.

A Rich Collection of Presets

The collection includes presets based on CLA’s work with Foo Fighters, Green Day, Bruce Springsteen, U2, Keith Urban, and more—as well as presets from superstar producers and engineers like Greg Wells.

CLA-2A Compressor / Limiter

The CLA-2A models what may be the most coveted and popular hardware compressor/limiter ever made. A favorite of studio engineers everywhere, this studio mainstay has graced countless vocal, bass, guitar, and other instrument tracks for over half a century with its alluring, warm sound.

Behind the strikingly simple interface, the original hardware’s optical-based dynamics processing relies on complex circuit interactions. Modeled from studio legend Chris Lord-Alge’s personally favorite hardware unit, CLA-2A perfectly emulates the original’s response and sound.

CLA-3A Compressor / Limiter

The CLA-3A combines solid-state circuitry’s fast attack with the gentle release of optical-based compression. A favorite on guitar, bass, and drums, the CLA-3A models the tight, punchy compression effect that played an important role in high-end studios of the 1970s.

Without the coloration of tubes, and only a slight hint of harmonic distortion, the CLA-3A handles high-level transients and pushes out punch—especially with midrange instruments.

CLA-76 Compressor / Limiter

Unlike the smooth sound of optical control-based compressors, the CLA-76 models the ultra-fast response, and tube-like distortion, of FET control circuitry. This plugin models two CLA-76s, based on hand-picked hardware that represents the best of the many revisions that were produced.

Tight, aggressive, and with a big, bold character, the CLA-76 is a favorite of acclaimed mix engineer Chris Lord-Alge. We modeled his two most-prized hardware units, “Bluey” and “Blacky,” both perfectly maintained in his studio—so you can have their sound in your mixes.