Strymon Dig V2 Dual Digital Delay Pedal

Delay Doppelgänger

DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options.

Rack To The Future.

Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Classic Sound

Our second generation DIG keeps the same distinctive rack-mount digital delay tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

MIDI

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG’s EXP/MIDI jack or USB-C connection.

Hardware Improvements

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.

Tone Knob

This powerful control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o’clock for a flat response.

Delay Types

Voices Of Digital.

Digital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits.

MIDI

Limitless Possibilities.

Our new generation of DIG features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG EXP/MIDI jack or USB-C connection. Delay times can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

True/Buffered Bypass

Choose Your Bypass Mode.

DIG lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.

JFET Input

Analog Touch.

Uncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. DIG feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.

Line/Instrument Level

On Another Level.

Pedals aren’t just for guitarists. DIG’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.

Stereo

Moving In Stereo.

No need to make compromises when it comes to signal routing or pedal placement — DIG features full stereo in/out capabilities.

ARM Processor

Power To The Pedal.

Significant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.