Rave Generation Rave Station 2

600+ Sounds

• Multi-sampled and tuned-to-key presets spanning Hoovers, Stabs, Synths, Organs, Basses, FX, Breakbeat Kits, Vocal Kits, and Drum Kits.

16-Voice Polyphony

• Intelligent voice allocation with mono/poly modes, legato portamento, and per-voice pan spread for everything from thick unison leads to lush chord pads.

9 Filter Types

• LP Clean 12, LP Roland 24, LP Moog 24, HP SVF 12, BP SVF 12, Peak, Notch, LP FM 12 (audio-rate), and LP 303 (authentic diode ladder). Pre/Post drive positioning and Jupiter-8 style HPF included.

Three ADSR Envelopes

• Amp, Filter (bipolar), and Pitch (±48 semitones) envelopes with exponential time curves for punchy attacks and smooth decays.

8-Waveform LFO

• Sine, Triangle, Square, Saw Up/Down, Random, S&H, and Triple Peak with tempo sync (4/1 to 1/64T), fade-in/fade-out, and 9 destinations including Filter, Pitch, Pan, Amp, HPF, Resonance, Drive, and VCF Env Amount.

Supersaw Unison

• Authentic 7-voice mode frequency ratios, plus Hypersaw variants (2–9 voices) with spread and mix control.

Symmetric Detune

• Independent detuning engine (1–9 voices, 0–700 cents) for classic ensemble thickening without modulation artifacts.

SH-101 Style Arpeggiator

• 14 patterns including Up, Down, Up&Down, 2-octave variants, and wrapped polyrhythms (W3–W6) with 9 step divisions and adjustable gate.

Studio Effects Suite

• Four-mode Chorus (CE3, JP8, AJ2-S, AJ2-M), ping-pong Delay with tempo sync and tone shaping, and lush Reverb with pre-delay and sidechain ducking.

Mix-Ready Output

• Stereo width (0–200%), Bass/Mid/Treble EQ, OTT multiband dynamics and soft limiting ensure polished results straight out of the box.

Categories

• BASS - Deep basses, sub basses, and bass leads
• FX - Risers, impacts, sweeps, and special effects
• HOOVER - Classic rave hoovers and reeses
• MULTI - Breakbeat, Vocal, and Drum kits
• ORGAN - Organs and keyboard sounds
• STAB 1 - Classic stabs and chord hits
• STAB 2 - Additional stabs and chord variations
• SYNTH - Leads, pads, plucks, and synthesizer sounds

VCA Section

• LEVEL : Master output volume (-60 to +12 dB).
• TRSP (Transpose) : Global pitch offset (±24 semitones).
• FINE : Fine tuning in cents (±100 ct).
• V MODE : Poly or Mono voice operation.
• PORT (Portamento) : Glide time between notes (0–0.1 s).
• PB RANGE : Pitch bend wheel range (0–24 semitones).
• VEL SENS : Velocity to amplitude sensitivity (0–100%).
• P MODE : Portamento mode—Always or Legato (glide only on overlapping notes).

VCA Envelope

• A / D / S / R : Attack, Decay, Sustain, Release for amplitude shaping with exponential curves (A/D : 1ms–2s, R: 1ms–5s).

Arpeggiator

• ARP TYPE : 14 patterns from Off to complex wrapped sequences.
• ARP STEP : Note division (1/4, 1/4T, 1/4D through 1/16T, 1/16D).
• ARP GATE : Note length as percentage of step (1–100%, default 80%).

VCF Section

• FREQ (Cutoff) : Filter frequency from 20 Hz to 20 kHz (exponential).
• RESO (Resonance) : Filter Q from subtle warmth to near self-oscillation (0–99%).
• HPF : Jupiter-8 style highpass (8 Hz to 5 kHz) for sub cleanup or cutting leads.
• TYPE : Nine filter algorithms—LP Clean, LP Roland 24, LP Moog 24, HP SVF, BP SVF, Peak, Notch, LP FM 12, LP 303.
• VEL FOLLOW : Velocity modulation of cutoff (±100%).
• DRIVE: Filter saturation with Pre/Post positioning (0–100%).
• KEY TRACK : Roland-style exponential filter tracking (±100%).

VCF Envelope

• A / D / S / R : Filter envelope times.
• ENV AMT : Bipolar modulation depth (±100%).

LFO Section

• TYPE : Sine, Triangle, Square, Saw Up, Saw Down, Random, S&H, Triple Peak.
• LFO DEST : Off, Filter, Pitch, Pan, Amp, HPF, Resonance, Drive, Mid Freq.
• RATE : Speed from 0.01 Hz to 106 Hz (or tempo-synced).
• FADE : Fade-in (positive) or fade-out (negative), ±5 seconds.
• DEPTH : Modulation intensity (0–100%).

Pitch Envelope

• A / D / S / R : Pitch envelope times.
• DEPTH : Maximum deviation (±48 semitones).

Unison (SuperSaw)

• VOICES: 1–9 stacked voices. 7 = authentic JP-8000 ratios.
• SPREAD : Detune spread between voices (0–100%).
• MIX : Balance between center and detuned signals (0–100%).

Detune (Symmetric)

• VOICES : 1–9 detuned copies.
• AMOUNT : Detune spread in cents (0–700 ct).
• MIX : Dry/wet blend (0–100%).

Chorus

• MODE: CE3 (subtle), JP8 (Supersaw-optimized), AJ2-S (opposite-phase), AJ2-M (matched-phase).
• RATE / DEPTH / MIX / TONE: Shape modulation speed, intensity, wet/dry, and brightness.
• Utils
• WIDTH: Stereo field (0% mono to 200% extra-wide).
• SPREAD: Random pan offset per voice (0–100%).
• BASS / MID (MID FREQ) / TREBLE: 3-band EQ (±15 dB) for final tone shaping.
• OTT: Multiband dynamics, with post or pre Reverb switch (OTT Position).

Delay / Reverb

• TIME : Delay time (1–2000 ms) or tempo-synced.
• FEEDBACK / TONE : Repeats and brightness.
• LEVEL: Delay wet/dry mix.
• PRE-DELAY : Reverb onset delay (0–250 ms).
• DECAY : Reverb tail length (0.01–20 s).
• DAMPING / MIX : HF absorption and wet/dry.
• DUCK AMT / DUCK TIME : Sidechain compression for clarity (0–100%, 10–500 ms recovery).