Neumann TLM103 (Nickel) + Stand

Package Includes:

1 x Neumann TLM 103 Nickel

1 x Ultimate Support MC-125

Neumann TLM 103 Nickel

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for ""transformerless microphone"". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

Ultimate Support MC-125

The MC-125 professional studio boom stand's larger-diameter base and locking, rollerblade-style wheels provide a low center of gravity and extra stability. Smoothly raise or lower height from 52"" to 83"" with a reliable clutch. The long boom telescopes from 35"" to 61"" and features a friction-free clutch arm extension. Also includes a unique, easy-adjust 5.75-lb. counterweight for a stable microphone placement. And the threaded shaft and boom sections provide quick set up and tear down for easy transport and storage. The MC-125 is in a class all its own.

Heavy Cast Base with Rollerblade-style Wheels

In the studio, you need a microphone stand that can go wherever you need it to easily and quickly, but then be as sturdy and strong as a concrete pillar when ready to record. The MC-125 features rollerblade-style caster wheels for super smooth movement in all directions but lock in both rotating direction for zero movement when desired. And, the superior, 35 lb. cast base gives the MC-125 the girth you need to anchor your microphone during any kind of recording session.

Adjustable Counter Weight

Depending on the size of your studio mics, the angle of the boom arm, and the placement of the mic itself, an adjustable counter weight on the boom can maximize the relative position of your studio microphone for added stability while minimizing the amount of vibration and force placed on the mic stand. The MC-125 features a 5.75 lb. die-cast counterweight that is easy to adjust for just the right placement.

Height and Length Adjustable

The MC-125 has been called the ""most adjustable studio boom on the market."" It ranges in height from 52"" to 83"" and the boom can extend from 35"" to 61"" to meet any studio's needs with perfect placement every time.

100% Field Serviceable Parts

The MC-125 studio microphone stand can be field serviced with replacement parts as needed over its VERY long lifespan (from the foot caps all the way up to the mic adapter). So, rather than throwing away a mic stand when a part breaks, as is the case with competing studio microphone stands, with an MC-125 studio microphone stand you can simply replace the part and move on to the next session!