Eventide MicroPitch Immersive

Immersed in Space

We designed MicroPitch Immersive from the ground up for immersive, Dolby Atmos, and surround workflows. With up to 12 channels of spatialized, detuned delays, plus modulation, EQ, and crossfeed controls, MicroPitch Immersive excels in creating an immersive space with boundaries that reflect, move, diffuse, and dissolve. Whether it be adding a touch of space or creating delayed, pitch diving chaos, MicroPitch Immersive will help you architect both real and unreal immersive realities.

Immersed in History

Eventide’s MicroPitch effect has long been crucial to packing a huge, detailed stereo production into just two speakers. The panned pitch and delay effect is essential for creating beautiful and wide stereo productions, often better than the real thing.

Starting out in the Eventide H910 in the mid-1970s, the MicroPitch effect has continuously evolved and advanced throughout the years, with notable appearances in the legendary H3000 and continuing to this day in the flagship H9000 and popular MicroPitch plugin. Now Eventide engineers have pushed the proven power of strategically decorrelated sound into 3 dimensions, taking your immersive mixes to a place never before possible.

Sound Examples

We recommend listening to these sound examples through headphones, to get the full immersive effect Binaural examples are mixed in 7.1.2, rendered with Dolby Atmos binaural. Stereo versions are rendered down from 7.1.2, which loses some spatial properties but retains positioning of the full mix otherwise.

MicroPitch, MetaParameters, MegaControl

The clean and intuitive interface seamlessly fits into your projects - whether it be mixing music, post-production for film, or sound design for games. This enhanced workflow empowers you to spread, tilt, and dynamically morph Micropitch across the width, depth, and height of your immersive mix. Tilt the Left/Right, Front/Back, and Top/Main Detune parameters for quick and easy asymmetrical detuning and space fine tuning EQ the Front, Top, and Rear speakers separately to sculpt the effect around the listener Morph between two distinct settings smoothly and seamlessly - great for sound design.