D16 Group Fazortan Controllable Space Phaser

Fazortan; the controllable space phaser has become another effect to offer as being a part of our 'SilverLine Collection'. No need to say we didn't cut many corners on quality and that robust, yearned by all - an analog feel of the sound. Total control of the Phase shift parameter provides you with adjustability and allows to obtain the desired contour with high precision. Have you ever wondered where does that unique magical breeze so audible in most of Jean Michael Jarre's tunes come from? Surprisingly the backbone here isn't the synth itself but the effect unit coupled with the synthesizer, saying more precisely - analog phaser of which our Fazortan seems to be a fine equivalent. Thanks to the analog modelling technique we were able to implement allpass filters comprising characteristics identical to its analog counterpart based on Operational Transconductance Amplifiers.

Therefore You can think about Fazortan as of the exact copy of a retro phaser taken out from 70's and redone to become a virtual unit. But being the same sounding unit that provides primal functionality and sound of the original is where similarities end and where limitless scope of plugin comes to play. Bearing on mind only one Rate knob and a color switch on the front panel of the real phaser device, Fazortan from the first look at its GUI, presents itself as a completely new device that effectivelly expands capabilities of its origin.

Structure

Full control over two Lfo's (waveform, rate, depth and offset) is now available.Unlike in the hardware unit Fazortan's Lfo works in a various waveform mode: square, sinus, ascending saw, descending saw and random (i.e. only triangle is availbale in original).

By using both lfos simultaneously you're now able to obtain a result that owners of the hardware box could only dream about. Endless contour diversity stretches results from monotonous sluggish swing to become a gurgling scrumble, just by a slight repositioning of the the rate knob. Additionally it is now possible to add consecutive allpass stages as well as regulate the feedback effect. The amount of stages translates on how many humps and pits residues in the converted sound spectrum while feedback parameter value implies severity of these irregularities. Feedback knob gives you sounds from soft to rapid and drilling. To visually display how it works consider a white noise as an input signal. Moving the feedback knob will start to morph incoming ""sea waves"" reminiscent noise into ""windy"" whizz. Aditionally each lfo can be modified by altering its respective phase giving, as a result, an improved panning of the incoming signal.

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