Product Description for the Spitfire Sacconi Strings Vol 1
When you convince, cajole and caress the proprietors of one of the most favoured chamber music venues in the world to open their doors to a sampling project and they say "yes you can have it for one day in August" what do you do? You wait. You wait for that day to come and you plan and you put together a crack team of engineers and you prepare your band and you get as much as you can. And then you wait, you wait until that day comes around the next August, you repeat the operation.... and then you wait, you wait until the next August!
Sacconi strings is a four year long project to create a definitive set of writing-for-quartet tools, a game changing set of solo strings recorded at Wigmore Hall and performed by one of the most talked about young quartets to be formed in London for many years.
When writing for quartets composers naturally have to settle with using solo strings VIs to mockup their intentions. The difficulty here is they tend to be very 'neck up' soloistic and when combined into a foursome can be jarringly expressive and difficult to sell to clients.
Spitfire's Christian Henson has worked with Sacconi for many years and thanks them for helping him understand what works for a quartet and what makes a quartet gel. Christian took this relationship alongside the searing talents and understanding of virtuality of Andy Blaney into the Wigmore to commit a very different approach to sampling to the digital sphere. Combining modern techniques and exploratory approaches to vibrato alongside stunning traditional articulations blooming this extraordinary acoustic Sacconi has been everyone's pet project at Spitfire.
Beneath a golden Arts & Crafts cupola; the central figure is the Soul of Music. He is gazing up at the Genius of Harmony – a ball of eternal fire whose rays are reflected across the world. Members of Sacconi strings slavishly positioned themselves over a series of days spread over four years.
The award-winning Sacconi Quartet is recognised for its unanimous and compelling ensemble, consistently communicating with a fresh and imaginative approach. Performing with style and commitment, the Quartet is known throughout the world for its creativity and integrity of interpretation. Formed in 2001, its four founder members continue to demonstrate a shared passion for string quartet repertoire, infectiously reaching out to audiences with their energy and enthusiasm. The Quartet have enjoyed a highly successful international career, performing regularly throughout Europe, at London’s major venues, in recordings and on radio broadcasts. The Sacconi is Quartet in Association at the Royal College of Music and Associate Artist at the Bristol Old Vic.
To date, the Quartet has given twenty-one world premières and four British premières, including works by György Kurtág, Paul Patterson, John McCabe, Simon Rowland-Jones, Robin Holloway, John Metcalf and Alun Hoddinot, and they performed as the solo string quartet on Paul McCartney’s hit song Come Home. The SacconiQuartet has been joined on stage by many artists including Mark Padmore, Melvyn Tan, Andrew Marriner, Vladimir Ashkenazy, Guy Johnston, Alasdair Beatson, Tom Poster, Matthew Rose, Bellowhead’s Jon Boden and actor Timothy West.
Wigmore Hall, one of the world’s great concert halls, specialises in chamber and instrumental music, early music and song.
Now approaching its 115th birthday, Wigmore Hall is livelier than ever, offering music-making of outstanding quality and an array of activities in the broader community. With its infectious sense of adventure, it consistently captures the public imagination and broadens its audiences’ horizons.
Wigmore Hall’s focus is on supreme musical works, best experienced with a powerful sense of immediacy. The repertoire extends 250 years on either side of Beethoven (born 1770) – from the Renaissance to contemporary jazz and new commissions from today’s most exciting composers.
Bringing this music to life are the world’s most sought-after soloists and chamber musicians. Wigmore Hall also provides a showcase for exceptional young artists — some making their professional London debuts — and remains an essential platform as their careers flourish.
Discreetly nestled in Central London, the Hall – renowned for its intimacy, responsive acoustic and its Arts and Crafts interior – has a capacity of 552 seats, but draws in audiences from far and wide through its enterprising use of digital media and its ambitious learning and outreach programmes; these go beyond concert audiences to embrace schools, nurseries, hospitals, community centres and care homes.
As with all Spitfire libraries the musicians earn a royalty from every copy we sell. This royalty is also extended to The Wigmore Hall in the hope that it helps them continue the great work they do for music and the community.