Product Description for the Spitfire Hg20
A cinematic classic. Paul Clarvis is a pre-eminent talent and a first call instrumentalist for the majority of AAA composers who work and record in London. Coupled with Spitfire's ability to produce and curate samples that sparkle with life, whilst being able assemble and script an instrument that just works "out of the box", Clarvis' Hg2O module is a must have for any respectable composer.
Paul Clarvis is one of the most in demand percussionists in the world. Its hard to reduce his biography to a paragraph but he has played on films such as Inception, Dark Knight, Interstellar, Star Wars, Thunderbirds, The Passion, Troy, King Arthur, Dorian Gray, Kingdom of Heaven, Around the World in 80 Days, Alien vs. Predator, The Lord of the Rings, Madagascar, On a Clear Day, Spy Games, Captain Corelli's Mandolin, Shakespeare in Love, G.I.Jane (ethnic percussion), James Bond, Billy Elliot, Notting Hill, Harry Potter, The Guru (Indian percussion).. and on recordings by artists including Mick Jagger, Elvis Costello, Elton John, Paul McCartney, Annie Lennox, Sting, Bryan Ferry, John Williams, Andy Sheppard, Kenny Wheeler, Fred Hersch, Karl Jenkins, Richard Thompson, Moondog, John Adams, McFly, Sam Rivers, John Harle, Gwyneth Herbert, Harrison Birtwistle, Matthew Herbert, Hugh Masekela, Gordon Beck, Marc Ribot, The Orb, Michael Nyman, Loreena McKennitt, Mark Anthony Turnage, Anthony Phillips, Michel Legrand, Maurice Jarre, John Williams, and Victoria Mullova. He has performed as a soloist at the proms, and served as chairman of the percussion judges for the BBC Young Musician of the Year. Spitfire are incredibly proud to work with him on a number of our percussion libraries.
Spitfire’s Definitive Range aims to offer the world a one-stop shop for classic and esoteric instruments played by the greats. As all these instruments are recorded in situ, in the same room, they’re designed to lock together sonically whether it be some timpani from the percussion range coupled with your Sable libraries. Or indeed a more curious band made up of the Hg20, a plucked piano and a harp, it is designed to sound like they’re together in the same room.
We provide a series of detailed mixing options that allow you to dry the sound up or make it more ambient, whilst preserving the acoustic integrity and perspective of a consistent microphone set up and room configuration. The instruments are all sampled in great detail but designed to play easily out-of-the-box, with simple integration into larger arrangements and templates without risk of demanding too much from your system resources.
Recorded by Jake Jackson at Lyndhurst Hall – Air Studios, on one of the finest scoring stages in the world, through an array of vintage microphones via Neve “Montserrat” pre-amps, to a beautifully serviced Studer 2” tape machine and then into digital at 96k via Prism AD converters: this is an unparalleled signal chain.