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PreSonus StudioLive 16.0.2 + Headphones + Bag

16x2 Digital Mixer with ATH-M50X and 1SKB-UB1818

PreSonus StudioLive 16.0.2 + Headphones + Bag

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Product Description for the PreSonus StudioLive 16.0.2 + Headphones + Bag

Package Includes :

1 - Presonus StudioLive 16.0.2
1 - Audio-Technica ATH-M50X
1 - SKB 1SKB-UB1818 18" x 18" Universal Equipment Bag

Presonus StudioLive 16.0.2 :

Our StudioLive 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package.

Small SizeBigger Possibilities

In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.)

But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.

More Than A MixerAn Integrated System

The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps.

130 Quality Signal Processors At Your Fingertips

The 16.0.2's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.

Our First Compact Mixer With Midi Control From A Footpedal

Moreover, a glance at the rear panel reveals that "Junior" offers something the two bigger boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.

What Was Then Is Now: Complete Store And Recall

Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.

Audio-Technica ATH-M50X :

As the most critically acclaimed model in the M-Series line, the ATH-M50 is praised by top audio engineers and pro audio reviewers year after year. Now, the ATH-M50x professional monitor headphones feature the same coveted sonic signature, with the added feature of detachable cables. From the large aperture drivers, sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

More About the M-Series Headphones

Critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured earcups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable. Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job done. Hour after hour, year after year.

SKB 1SKB-UB1818 18" x 18" Universal Equipment Bag :

SKB’s Universal Mixer/Equipment Bags are the perfect solution for protecting and transporting your gear from one gig to another with sizes to accommodate the most popular mixers, drum machines, recording interfaces, midi controllers, light panels and other equipment. The 1SKB-UB1818 Universal Bag has an interior dimension of 18” x 18” x 5.5” to accommodate products such as the PreSonus Studiolive 16.0.2, Behringer Xenyx X2222USB, Mackie 1604-VLZ3 and more with the iPad in the padded pocket.

The Universal Mixer/Equipment Bag is constructed of a durable 600 Denier padded exterior with heavy-duty dual zippers, an adjustable, padded shoulder strap and double stitched carrying handle for added convenience. The bag includes a convenient, double zippered padded exterior accessory compartment that is large enough to keep your iPad protected while stowing cables or additional gear.

Features

Presonus StudioLive 16.0.2 :

  • 8 mono mic/line channel inputs, each with:
    • High-headroom Class A XMAX mic preamplifier
    • XLR mic and balanced ¼" line inputs
    • 60 mm precision fader
  • 4 stereo line channel inputs, with:
    • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
    • XLR mic inputs (Ch. 9, 11, 13, and 15)
    • Balanced ¼" line inputs (Ch. 9-16)
    • Unbalanced RCA line inputs (Ch. 13-16)
    • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)
  • 2 Internal FX buses
  • 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
  • Fat Channel signal processing on all channels and buses, with:
    • 3-band semi-parametric EQ (individual band on/off)
    • Full-featured compressor
    • Standard downward expander
    • Limiter
    • Phase reverse (12 mic preamplifiers only)
    • Pan with dedicated 15-LED display
    • Stereo link for input channels and aux buses
    • High-pass filter
  • One 31-band stereo graphic EQ (on main outputs only)
  • 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
    • Compatible with most audio software via ASIO, Windows Audio, Core Audio
  • Scene store and recall
  • Settings can be copied among channels and buses and saved as user presets.
  • Software bundle for Mac and Windows includes:
    • PreSonus Studio One Artist digital audio workstation
    • PreSonus Capture live-recording software
    • PreSonus Universal Control with Virtual StudioLive bidirectional mixer-control software
  • Lockout mode protects your settings from meddlers and accidents
  • MIDI Control Mode provides control over:
    • Scene and FX Preset recall
    • Main Volume, FXA, and FXB output levels
    • FXA and FXB assign/unassign to Mains

Specifications

Microphone Preamp

  • Type : XLR Female, Balanced
  • Frequency Response to Direct Output (at unity gain) : 20 Hz-40 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Output (at unity gain) : 20 Hz-20 kHz, ± 0.5 dBu
  • Input Impedance (Balanced) : 1 kΩ
  • THD to Direct Output (1 kHz at unity gain) : < 0.005%, +4 dBu, 20  Hz–20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain) : 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • EIN to Direct Output : +125 dB unwtd, +130 dB A-wtd
  • S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) : -97 dB
  • S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) : -94 dB
  • Common Mode Rejection Ratio (1 kHz at unity gain) : +65 dB
  • Gain Control Range (± 1 dB) : -16 dB to +67 dB
  • Maximum Input Level (unity gain) : +16 dBu
  • Phantom Power (± 2 VDC) : +48 VDC

Line Inputs, Balanced

  • Type : 1/4" TRS Female, balanced mono
  • Frequency Response to Direct Outputs (at unity gain) : 10 Hz-40 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Outputs (at unity gain) : 20 Hz-20 kHz, 0/-0.5 dBu
  • Input Impedance : 10 kΩ
  • THD to Direct Output (1 kHz at unity gain) : <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain) : <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) : -105 dB
  • S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) : -94 dB
  • Gain Control Range (± 1 dB) : -20 dB to +20 dB
  • Maximum Input level (unity gain) : +22 dBu

Line Inputs, Unbalanced

  • Type : RCA Female, unbalanced (stereo pair)
  • Maximum Input Level : +22 dBu

Main Outputs

  • Type : XLR Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair);
  • Rated Output Level : +24 dBu
  • Output Impedance : 10 kΩ

Aux Outputs

  • Type : 1/4” TRS Female, balanced (mono)
  • Rated Output Level : +18 dBu
  • Output Impedance : 51Ω

Monitor Outputs

  • Type : 1/4” TRS Female, balanced (stereo pair)
  • Rated Output Level : +18 dBu
  • Output Impedance : 51Ω

System Cross Talk

  • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) :  -90 dBu
  • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) : -87 dBu

Noise Gate (Expander)

  • Threshold Range : -84 dB to 0 dB
  • Attack Time : Adaptive (0.2 - 2.5 ms)
  • Release Time : 70 ms
  • Expander Attenuation Range : 2:1

Compressor

  • Threshold Range : -56 dB to 0 dB
  • Ratio : 1:1 to 14:1
  • Response Time (Attack/Release : 0.2 ms / 1.0 s (“Tight”) to 180 ms/1.0 s (“Smooth”)
  • Auto Attack and Release : Attack = 10 ms, Release = 150 ms
  • Curve Types : hard and soft knee

EQ

  • Type : 2nd - order shelving filter (Q = 0.55)
  • Low (Low-pass or Bandpass) : 36 to 465 Hz, ± 15 dB
  • Mid : 26 Hz to 3.5 kHz, ±15 dB
  • High (High-pass or Bandpass) : 1.4 kHz to 18 kHz, ±15 dB

Digital Audio

  • ADC Dynamic Range (A-wtd, 48 kHz) : 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz) : 118 dB
  • FireWire : S400, 400 Mb/s
  • Internal Processing : 32-bit, floating point
  • Sampling Rate : 44.1, 48 kHz
  • A/D/A Bit Depth : 24 bits
  • Reference Level for 0 Dbfs : -18 dBu

Clock

  • Jitter : <20 ps RMS (20 Hz - 20 kHz)
  • Jitter Attenuation : >60 dB (1 ns in ≈ 1 ps out)

Power

  • Connector : IEC
  • Input-Voltage Range : 90 to 240 VAC (factory-configured for country of destination)
  • Power Requirements (continuous) : 100 W

Physical

  • Length : 15.56 inches (397 mm)
  • Width : 16 inches (406 mm)
  • Maximum Height : 5.5 inches (140 mm)
  • Weight : 20 lbs.

Audio-Technica ATH-M50X :

  • Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewers
  • Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils
  • Exceptional clarity throughout an extended frequency range, with deep, accurate bass response
  • Circumaural design contours around the ears for excellent sound isolation in loud environments
  • 90° swiveling earcups for easy, one-ear monitoring
  • Professional-grade earpad and headband material delivers more durability and comfort
  • Collapsible for space-saving portability
  • Detachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)
  • Top choice for studio tracking and mixing, as well as DJ monitoring and personal listening

Specifications

  • Type : Closed-back dynamic
  • Driver : Diameter    45 mm
  • Magnet : Neodymium
  • Voice Coil : CCAW (Copper-clad aluminum wire)
  • Frequency Response : 15 - 28,000 Hz
  • Maximum Input Power : 1,600 mW at 1 kHz
  • Sensitivity : 99 dB
  • Impedance : 38 ohms
  • Weight : 285 g (10 oz), without cable and connector
  • Cable : Interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable

SKB 1SKB-UB1818 18" x 18" Universal Equipment Bag :

  • 600 Denier exterior
  • Heavy-duty dual zippers
  • Adjustable padded shoulder strap
  • Double stitched carrying handle
  • Convenient padded exterior accessory compartment for iPad or cables

Specifications

  • Interior Length : 18.00 in 45.72 cm
  • Interior Width : 18.00 in 45.72 cm
  • Interior Depth : 5.50 in 13.97 cm
  • Carton Length : 20.00 in 50.80 cm
  • Carton Width : 18.50 in 46.99 cm
  • Carton Depth : 6.50 in 16.51 cm
  • Shipping Weight : 3.60 lb 1.63 kg
  • Product Weight : 2.00 lb 0.91 kg
SKU PRE-STUDIOLIVE1602-BUN6
Brand Presonus
Weight 0.0000
Dimensions (WxHxD) No

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