Pioneer DDJ-S1 + Case + TMA-1 + K12 Pair + 2 XLR

The DDJ-S1 allows for easy transfer of music from the user’s laptop with a USB connection for simplicity and quick “plug-and-play” capability with Serato ITCH DJ software. For additional convenience, the controller also comes with a space saving computer dock that allows a laptop’s keyboard to slip directly under the controller, enabling its monitor to be closer to the DJ to provide fast visuals of song information while mixing. The device adopts Pioneer’s “P-LOCK Fader Cap,” designed to prevent the fader caps from slipping.

The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC's team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75" HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size. 

Extensive DSP processing is employed throughout, providing levels of sonic clarity and total output that defy the system's size and weight. 

Premium-grade materials, advanced construction processes and multiple mounting and suspension options allow for a wide range of live and installed applications. 

Combo XLR and 1/4" TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for "daisy-chaining" of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility. 

On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP™ for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation. 

Fullrange models are housed in rugged ABS enclosures with a professional appearance that is at home in any application. ABS is a far more robust material than conventional speaker plastics and offers an additional measure of sonic clarity due to its internal rigidity. Ergonomic aluminum handles and a highly protective steel grille complete the package for ease of transport and long term durability. 

The K Series fullrange models feature a unique Tilt-Direct™ pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Integrated M10 suspension points allow for suspended applications with a K SERIES M10 KIT (sold separately) or Yoke bracket (sold separately).

The one-piece TMA-1 headband consists of a strong, durable and flexible nylon material, which provides full flexibility when wearing and positioning the headphones during DJing. The two different cushions can be changed easily with the click release function, so the headphones fit all situations â€" from a noisy club environment to just being on the road. The speaker is protected by the cushion plate with integrated filter and provides the richest sound that is available today along with the most durable driver technology. Finally, there is a 3mm cotton fiber filter for isolation and the headphone cup out of a resistant ABS material to protect the fragile parts. The 1.7 meter cable has a mini jack connection in both ends as well as a reinforced plug with a 1/8 adapter option. It has a 0.4 meter coil on the wire, which gives extra length and flexibility at the turntable.

The name TMA-1 (Tycho Magnetic Anomaly-1) is taken from Arthur C. Clarke's science fiction novel "2001: A Space Odyssey" and refers to a black Monolith, which is extremely long-lived and reliable â€" just as the TMA-1.

High-performance XLR cable!
For more than 30 years, Whirlwind has been producing high-quality audio cables with musicians in mind. You can benefit from their experience on the stage or in the studio with their workhorse cable, the MC20. They come in 20-foot lengths, so you can route them wherever they are needed.

Balanced for clean audio
XLR cables are the most common format in your rig. You connect them to your microphones, patch them to the mixer or the snake, and run them out to powered speakers. The MC20 is a balanced XLR to XLR cable, designed to handle any of these duties while preventing unwanted interference from entering the signal path. Outfit your whole rig with these balanced cables for clean, noise-free music!

Quality components
As with all their cables, MC20's are built to Whirlwind's exacting specifications, using only the finest components. The XLR connectors have excellent strain-relief to prevent damage no matter how many times you plug and unplug them. Whether your cables stay connected in the studio or you take them out on the road, you'll have years of trouble-free use. No more tedious hours spent looking for a short circuit.

Flexible and durable
On tour, cables come out of the van, get uncoiled for the show, then wrapped up again for the trip to the next venue. They get stepped on, twisted around mic stands, and tripped-over. All this wear can take its toll, leading to cracks, shorts, and ultimately, poor sound quality. Whirlwind uses a finely stranded 22-gauge wire for the MC20's center core, and a strong, supple jacket to ward off nicks and scrapes. Your cables will have the toughness and flexibility to stand up to heavy road abuse, no matter how long you're on tour. No one wants to hunt for a music store 20 minutes before the gig, so make sure your cables are reliable and ready to rock when you are.