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MOTU 4Pre Controller Bundle w/Mastering Software

MOTU Audio Interface

MOTU 4Pre Controller Bundle w/Mastering Software

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Product Description for the MOTU 4Pre Controller Bundle w/Mastering Software

Product Description For MOTU 4pre,Tascam TH-02,Nektar Panorama P1 with McDSP ML4000 Native v6

Package Includes:

1 x MOTU 4pre

1 x Tascam TH-02

1 x Nektar Panorama P1

1 x McDSP ML4000 Native v6

MOTU 4pre

MOTU 4Pre Compact USB 2.0/Firewire Audio Interface

The MOTU 4pre packs four mic inputs into an impressively small half-rack form factor, along with a healthy complement of additional professional-grade audio connections. You can record and mix vocals plus guitar for two musicians simultaneously, mic a drum kit with overheads and close-ups or record lead and background vocals in one take. With an interface this flexible, capable, and great sounding, you'll be ready for any situation your music throws at you.

Record four individual mics, or two stereo pairs:

The 4pre combo mic/guitar inputs are equipped with pristine, transparent preamps and offer individually adjustable 48V phantom power and -20 dB pad. All settings can be adjusted directly on the front panel, or from the 4pre's CueMix software running on your computer. Mic inputs can be operated individually or in stereo pairs, as needed.

Hi-Z guitar inputs deliver true guitar sound:

The 4pre's two guitar jacks provide high-impedance load characteristics suitable for passive and active pickups alike, to deliver proper guitar tone to your host software.

Connect a keyboard or other line input

The 4pre analog inputs are designed to be flexible, so that you can address a wide range of recording situations. The line inputs provide proper level matching for keyboards, analog mixers, effects processors, or other gear with either -10 dB or +4 dB reference level input.

Four analog outputs

Connect a pair of powered studio monitors to the main outs. The separate line outs can be used for a variety of purposes, either mirroring the main outs (perhaps for a 2nd set of studio monitors) or acting as a completely independent output pair (for a separate mix going to a mixing board or stage wedges, for example). Because they can be programmed, the line outs offer tremendous flexibility.

Two headphone jacks

The left-hand phone jack always mirrors the main outs, and the "Main" volume knob controls both. The right-hand phone jack has added flexibility: it can mirror the main outs, with independent volume control, or it can mirror any other 4pre output pair.

Digital transfers made easy

Digital transfers are an essential fact of daily studio life. The 4pre's standard S/PDIF input and output make stereo digital transfers a snap, with optional external clocking and support for sample rates up to 96 kHz.

Analog quality with digital precision

The 4pre preamps deliver clean sound, 60 dB of gain, and adjustments in approximately 1 dB increments using the front-panel trims or the on-screen CueMix software. The gain adjustment itself is smooth because it is analog, but the digital control gives you both precision and the ability to save and recall trim settings. So you get the best of both worlds: analog trim with digital precision and control. Trim is adjusted at the input, before the mixer, so it applies to all mixes. Mix levels are controlled separately from trim, so you never sacrifice sound quality for a balanced mix. The S/PDIF digital inputs can be trimmed, too.

Nothing beats hands-on control of your mix

What makes the 4pre unique? Immediate, hands-on control of your mix using the front-panel knobs and status LEDs. To adjust the volume of an input, just turn its knob. The 4pre lets you control mix volume independently from the input's trim level, so you never have to sacrifice sound quality for a balanced mix.

Dial up a separate mix for each output pair

The 4pre mixer takes signals from its six inputs and mixes them to an output pair, such as the main outs. You control the volume of each input. Better yet, you can adjust input volumes differently for each output pair. In other words, each output pair can have its own unique mix. For example, you might create a balanced mix going to your PA via the main outs, but bring up the guitar for the mix going to your stage monitors via the line outs, so you can easily monitor your guitar sound. You get a separate mix for main outs, line outs, S/PDIF digital out, and phones.

Bring the 4pre to your next gig

Immediate volume adjustments are always within reach, so the 4pre serves as the perfect compact, portable live mixer, with or without a computer. Even without a computer, the 4pre gives you complete control over all four mix busses with direct access to volume, mute and solo for each input.

Use the 4pre as the mixing hub in your personal studio

Back in your personal studio, you can of course use the 4pre to connect your mics, guitars, and other inputs to your computer. Sometimes, however, you just want to play your instruments, without the computer. The 4pre continues to serve as your studio mixer, even when your PC or Mac is turned off.

Eliminate host latency while tracking in the studio

When recording into your computer, host audio software can sometimes introduce a slight delay (latency) in what you hear as you track. You can use the 4pre mixer, instead of monitoring through the software, to completely eliminate this delay.

Tascam TH-02

The black TH-02 Studio Headphones from Tascam are designed to deliver studio-quality audio for a wide variety of studio and music listening applications.

These closed-back headphones feature powerful, 50mm drivers that are set at 32 ohm impedance. This design aims to deliver a balanced, accurate response whether you're cutting tracks in the studio, or listening to music on your mobile device.

Engineered for comfort as well as sound quality, the TH-02 headphones feature padded headband and ear pads. Built with easy transport and storage in mind as well, the TH-02 headphones feature a collapsible, foldable design.

Nektar Panorama P1

Panorama P1 is an incredible controller with the most intuitive workflow you have ever seen.

Spectacular , deep Reason & Cubase implementations, along with vast MIDI programming options means you can focus on your music instead of the equipment. Set up your generic MIDI presets for instant recall when you need them or use Panorama P1 with Reason or Cubase for a completely integrated experience.

POWER OF CONTROL

The enormous controlling power of Panorama P1 is contained in a compact case about the size of a 17" laptop. An unrivalled amount of assignable controls makes Panorama the most comprehensive and fully featured MIDI controller around. 16 encoders, 9 45mm faders, 10 LED buttons, 28 buttons and a foot switch jack gives you immediate control of up to 61 parameters at any one time. Settings can be stored in 20 presets with individually save and loadable F-keys maps for more than 1200 combinations. The numbers may not matter but being in control does.

THE DISPLAY SAYS IT ALL

A crystal clear 3.5" color TFT display delivers the information you really need, for each mode or menu. Regardless of whether you are operating Cubase, Reason or programming MIDI assignments in Internal mode, the display provides detailed information that makes your workflow fluent and fast. Panorama takes the hard work out of using a controller and makes operations that seem complicated and non-transparent on other products, straight-forward and simple.

MIDI CONTROL - A GAME OF MANY OPTIONS!

Setting up presets or F-keys maps is easy on Panorama. The Control Edit menu enables you to quickly select a control and in real-time assign the MIDI command you want. For each control values can be scaled, reverse and assigned specific or global MIDI channels. The chart shows the programming options available for each type of control.

TRANSPORT WHEN YOU NEED IT, FUNCTION BUTTONS WHEN YOU DON'T

It's hard to go places without transport so Panorama features an extended 11 button transport bar, positions right where you need it controlling: Return to L, Forward to R, Undo, Click on/off, Record Mode, Cycle on/off, Back, Forward, Stop, Play and Record. Using the shift button, these also double up as 11 function buttons each assignable to MIDI commands or QWERTY macro's.

SHORTCUT TO SOFTWARE FUNCTIONS

So QWERTY macro's...... big deal, right? That's right, its a VERY big deal. Your software has a ton of features and functions that can be activated using QWERTY shortcut commands. Assigning a command to a button so you don't have to be near your computer makes life a lot easier. Assigning a string of up to 8 commands takes it to another level. With this powerful feature you could for example enter edit mode, zoom in and select a tool with just one button press. Or create an instrument or effects track and locate a folder containing your presets so you can select them from Panorama, all with one button press and without looking at your computer

CONTROLLING BITWIG STUDIO, CUBASE, LOGIC PRO, MAINSTAGE, NUENDO, REAPER OR REASON HAS NEVER FELT SO REAL

For Bitwig Studio, Cubase, Logic Pro, MainStage, Nuendo, Reaper and Reason users, Panorama is a dream come true. The dedicated communication protocol ties Panorama and your DAW tightly together so all you have to do is select the mode and menu you want to control. Panorama does the rest. Three modes allows you one button press to switch between controlling the Mixer, Instruments (VSTi or Devices) and Transport, with the 4th mode, Internal, still providing access to traditional MIDI control. The integration is so deep that you can immerse yourself in your music without having to constantly reach for the mouse. Panorama gives you the creative freedom to just focus on your music.

 YOUR REWIRE SLAVE AND HOST CONTROLLED IN ABSOLUTE REAL-TIME

Reason ReWired to Cubase or Nuendo is a whole new experience with Panorama. Select which DAW you want to control straight from Panorama, in absolute real-time and regardless of what's in focus on your computer. Color coding clearly tells you which environment you are controlling so you don't get confused as you switch back and forth. And better still, there really is not functionality lost when you change from controlling one DAW to the other. You of course could buy 2 Panorama products to achieve the same result but with Panorama you don't have to. The choice is yours.

McDSP ML4000 Native v6

The Essential Mastering Solution

The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.

The ML4000 is two plug-ins:

  • ML1 – mastering limiter
  • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection.  The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in theML1.  Each band’s Gate, Expander, and Compressor can be configured separately or linked together.  Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands.  Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

Features

MOTU 4pre

  • A great audio interface for desktop and laptop recording rigs
  • Compact and rugged all-metal chassis fits easily in a backpack, but comes with the hardware you need to rackmount it
  • 4 x ultra-clean and highly transparent microphone preamplifiers let you record without coloring your sound
  • All analog inputs are on combo jacks, providing you with the connectivity you need to record 2 x balanced line-level sources as well as 2 x hi-Z instrument sources
  • 2 x channels of S/PDIF I/O
  • 2 x independent headphone outputs make collaboration easy
  • Independent hands-on mixer lets you use the 4pre even without your computer
  • Connects via USB 2.0 or FireWire 400
  • CueMix software lets you control four mixes and 8 buses with simple tabbed interface (includes tuner, oscilloscope, real-time FFT, spectrogram waterfall, X-Y phase analysis, and other tools)
  • Functions as a stand-alone 4-channel mixer, even without a computer
  • Includes AudioDesk recording software

Tascam TH-02

  • Closed-Back Design
  • Designed for Balanced Response
  • 50mm Drivers
  • 32 Ohm Impedance
  • Collapsible Folding Mechanism
  • Padded Headband and Ear Pads
  • Comes with 1/4" Adapter

Nektar Panorama P1

Preset Controls

  • 16 encoders
  • 9 45mm faders
  • 10 assignable LED buttons
  • 11 dedicated transport buttons
  • 20 preset locations store all settings

F-Keys

  • 11 assignable Function Keys (accessible using shift and transport keys)
  • Load or Save to any of 10 F-Keys maps
  • F-Keys assignable even in 3 Reason modes

Connections

  • Foot switch (sustain) 1/4" jack input (pedal not included)
  • USB port for communication with computer

Additional

  • 6 dedicated assignable navigation buttons
  • ASCII/QWERTY macros assignable to buttons and pads
  • 3.5” high-resolution TFT display provides incredible navigation and user visibility
  • Incredible Cubase, Nuendo & Reason implementations that lets you use your DAW, as if it's hardware
  • 4 modes when used with Cubase, Nuendo or Reason switch between Mixer, Instrument, Transport and Internal
  • Presets and setup files for major DAW's and VIs

Weight & Dimensions

  • Panorama P1
  • Dimensions : 15 1/4"(L) x 9 1/4"(D) 2"(H)
  • Weight : 2.8 Lbs

System Requirements

  • Mac OS X 10.6 or higher, Windows Vista, 7 & 8 compatible (Windows XP is not supported at this time).
  • Reason 5, 6, 6.5, 7 and 8 supported
  • Cubase 5, 6, 6.5, 7 and 8 supported. Earlier versions not tested.
  • Nuendo 5, 6 supported. Earlier versions not tested.

McDSP ML4000 Native v6

  • Brick wall look-ahead limiter
  • Multi-stage peak detection and limiting
  • Unique limiter Knee and Mode controls
  • Multi-band Gate, Expander (up/down), Compressor
  • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
  • Multiple real-time metering options
  • Adjustable crossover filters
  • Multi-band control linking
  • Analog Saturation Modeling
  • Double Precision Processing
  • Low Latency
  • Mono and Stereo versions

Formats

  • HD v6: AAX DSP/Native, AU, VST
  • Native v6: AAX Native, AU, VST
SKU MOT-4PRE-BUN2
Brand MOTU
Weight 15.0000
Dimensions (WxHxD) No

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