Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100% analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller.
“The Little Phatty not only has it’s own signature killer sounds, but the ability to use it’s innovative interface as a versatile general MIDI controller make it an incredible tool for both performance and the studio.”
-Cyril Lance, Engineering Manager
Additionally, the Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish.
The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig... from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.
MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator.
The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock.
The distinctive new black finish is a real eye-catcher that emphasizes the unique new nature of the Little Phatty Stage II.
“The new features in the Little Phatty Stage II bring true analog synthesis to contemporary performance and production.” says Cyril Lance, “USB, MIDI Clock Sync, Tap Tempo and the Arpegiator make it a modern music powerhouse.”
The Reptile delay pedal was a milestone in T-Rex history, where we managed to squeeze all the great sound and most of the features of our revered Replica delay into a pedal that any guitarist could afford. Now, we’re pleased to bring you Reptile 2 – the next step in the evolution of this sonic savage for guitar and bass.
Baby Brother Sprouts Tap Tempo
Tap Tempo – or the ability to control the tempo of your delay by tapping a button with your foot while you play – is what separated the men from the boys in our first generation of Replica-family delays. Not anymore. With the Reptile 2, we’ve brought our renowned Tap Tempo function to the Replica’s “baby brother”. Tap Tempo gives you ultimate control of your delay on stage, by letting you match the speed of your delay effect to the tempo of your music – without ever missing a beat.
Enhanced Flutter Section
Besides Tap Tempo, Reptile 2 also features an enhanced Flutter section, with a new Tone control. Flutter introduces a touch of random-sounding “warble” to your delay for that great retro tape-effect sound. The Tone control lets you take the top end off your delayed repeats for an even more authentic vintage tone.
In the Reptile 2, you’ll find a gorgeous-sounding delay that easily beats the competition and comes closer than ever to offering the total Replica control – but at a price you can afford even if you’re not (yet…) a rock star. Try one out at your local music store, and you won’t be able to resist taking one home with you
The EP2 Expression Pedal designed by Moog is the finest expression pedal available. Its smooth action gives it the feel musicians need for precise, playable control. It is the simple way to release some additional expressive power from Moogerfoogers, the Moog Voyager and more. The heavy construction (2.55 lbs) provides a solid feel as the pedal stays firmly under-foot. A new external output level control adjusts the range of the pedal’s effect, sweeping across the full or a limited spectrum.