Product Description for the Focusrite Saffire Pro 40 + Presonus DigiMax D8 + Hosa OPT-103
Product Description for the :FocusriteSaffire Pro 40 Firewire Interface,PresonusDigiMax D8, Hosa OPT-103
Package Includes :
1 x FocusriteSaffire Pro 40 Firewire Interface
1x PresonusDigiMax D8
1 x Hosa OPT-103
FocusriteSaffire Pro 40 Firewire Interface
The FocusriteSaffire PRO 40 represents the new generation of Focusrite multi-channel firewire audio interfaces. It is the best sounding interface in its class; attentively designed with today’s project studio in mind.Focusrite's unparalleled pre-amp legacy forms the foundation of this new interface, with eight award-winning Focusrite pre-amps. These are combined with the very latest in firewire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability. With Saffire PRO 40, sonic integrity reigns supreme. The eight Focusite pre-amps ensure low noise and distortion, whilst quality digital conversion and JetPLL jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.
Alongside the eight Focusrite pre-amps are a host of i/o options; 10 analogue outputs, ADAT i/o, stereo SPDIF i/o and 2 virtual ‘loopback’ inputs for routing digital audio between software applications. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for each analogue input offers accurate viewing of levels.
Saffire PRO 40 comes with the Focusrite plug-in suite. All-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session. Focusrite’s established Xcite+ bundle is also included. The bundle includes Ableton Live Lite, Novation’s Bass Station soft synth and over 1 gig of royalty-free samples. Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes.
Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customisable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround.
Saffire PRO 40 includes the Focusrite plugin suite, produced by the same team that who developed Novation's nio FX rack and Saffire PRO 40 Control. They provide the perfect upgrade from your standard sequencer effects with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins, for use in the mix. Each plug-in has a host of pre-sets that provide a reasonable starting point, delivering suitable solutions for the chosen sound source. Having selected a preset, you can then go on to finely tune these settings.
The compressor and Gate have been modeled on the Focusrite's hardware devices, using the measurement of custom optos to achieve the signature Focusrite sound. (All Focusriteoptos are tuned by ear, just like in the old days of analog design, ensuring a faithful recreation of those classic vintage 1960s optical compressors.)
With the same signature as the original Focusrite EQ curves. Focusrite's R&D team used state-of-the-art numerical transform techniques to create an authentic response across the entire audible frequency spectrum for this software EQ.
The Reverb is based on classic algorithmic studio reverb designs.
The Focusrite Pre
Focusrite has, over the past decade, built a reputation as the market leader for high quality recording equipment, with is mic-pre technology as the cornerstone of that enviable reputation. The original mic-pre, as featured in the early Focusrite Forte console, used rotary switched gain controls and high quality audio transformers. This mic-pre is still used by many of the industries greatest producers and is the sound of countless hit records. Today, Focusrite design equipment for a far greater audience, from professionals to amateur enthusiasts, all with varying budgets.
As with the Red and ISA ranges, the Mic-pre technology found in the Platinum and Saffire ranges is designed to the highest possible standards. They uphold the same wide bandwidth philosophy featured in the original forté console, back in 1989. All Focusrite mic-pres feature custom components which have undergone an intense testing and qualification process. With the facts and figures in, Focusrite designs then have to pass the essential listening stage. Any design can measure well on the test bench but only a great design can be qualified in the studio. The FET-based design in the Saffire range is no exception and ensures the same low noise and distortion performance as earlier transformer-based designs. It delivers clarity without colouration and exhibits the signature transparency for which Focusrite have become famous.
The DigiMax D8 is an 8 channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization. The DigiMax D8 is the perfect solution to add eight professional microphone preamplifiers to any digital recording system with ADAT optical lightpipe expansion capability including Digidesign’s HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others.
8 XMAX Class A Preamplifiers
The DigiMax D8 includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results.
All XMAX preamplifiers are built with the same three elements:
- High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.
- Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.
- Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.
This cable is designed to interconnect digital audio components with Toslink jacks. It is compatible with ADAT and all S/PDIF formats, including Dolby Digital and DTS surround.