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Focusrite ISA-TWO + Golden Age Project FC4st + 2 Mogami 25' Mic Cables + 2 Mic Boom Stands

Classic Dual Mono Transformer‐Based Microphone Preamplifier , Small Diaphragm Condenser Microphones Pair, 4-conductor XLR oxygen-free cable with Standard Boom Mix Stand.

Focusrite ISA-TWO + Golden Age Project FC4st + 2 Mogami  25' Mic Cables + 2 Mic Boom Stands

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Product Description for the Focusrite ISA-TWO + Golden Age Project FC4st + 2 Mogami 25' Mic Cables + 2 Mic Boom Stands

Product description for Focusrite ISA-TWO Dual Mono Microphone Preamp + Golden Age Project FC4st + Mogami Gold Studio 25' Microphone Cable + On Stage Stands Mic Boom Stand - MS7701B

Package includes

1 x Focusrite ISA-TWO Dual Mono Microphone Preamp

1 x Golden Age Project FC4st

2 x Mogami Gold Studio 25' Microphone Cable

2 x On Stage Stands Mic Boom Stand - MS7701B

Focusrite ISA-TWO Dual Mono Microphone Preamp

You may only need a couple of mic preamps, but they need to be the very best. The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs – no DI box required. Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack.

Superb sound spanning four different decades
Focusrite’s microphone preamplifiers go back to the original Focusrite ISA 110 modules, when Rupert Neve was commissioned by George Martin in 1985 to create a no-compromise channel strip for his Neve console. Combining the very best solid-state electronics with transformer coupling, Focusrite mic pres have played a key part in the recording of hundreds of hit records and they’re the choice of leading artists, producers and engineers around the world.

Lundahl Transformers
At the heart of the ISA Two is a pair of Lundahl LL1538 transformers. ISA products have relied on Lundahl from the beginning, since their components were originally specified in 1985. The LL1538 features a 3-section winding, resulting in very low leakage inductance and, as a result, an extended frequency response. They’re encapsulated in mu-metal cans to shield them from stray magnetism.

Variable input impedance and up to 80 dB of gain
ISA Two features two classic Focusrite mic preamps, with four impedance settings including the original ISA 110 setting. Variable input impedance allows you to go for an accurate, transparent sound or choose to highlight the character of your favourite vintage mic – and anywhere in between. With up to 80 dB of low-noise gain, ISA Two can perform in the most demanding situations - really bringing your ribbon, condenser or moving coil mics to life.

Insert your choice of processors
Each channel has a fully-balanced insert point accessed via TRS sockets on the rear panel and activated with a front-panel button, so it’s easy to use outboard processors with the ISA Two. Just plug in your choice of EQ, compressor or limiter.

Golden Age Project FC4st

The FC 4 ST is a matched (within 1 dB!) stereo pair of two FC 4 microphones. Specs below.

The FC 4 is a low cost, small capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivity.

The characteristics of the FC 4 are ideal for many recording and live situations. It will catch the crispness of your favourite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc. 

We have equipped the FC 4 with high-pass filter and pad switches. This also makes it suitable for loud sounds and even vocal recording. 

Every musican and studio have use for a couple of FC 4´s. The small capsule cardioid condenser mic is one of the most basic mics for recording. The FC 4 is truly a great sounding and very versatile microphone at a very low price!

Mogami Gold Studio 25' Microphone Cable

The Gold Series uses selected Mogami Neglex "Studio Quad" Oxygen Free Copper cable. This 4-conductor cable actually cancels noise caused by poor ground planes and high RF or electromagnetic fields. The ultra-low-noise spiral shield is the most densely wound available. All this engineering helps cure many of the problems encountered in a project or home studio, creating a much quieter recording environment with vastly improved Dynamic Range.


Virtually every major recording facility in the world is wired with Mogami cable. This means that just about any music you choose has been recorded using Mogami in the audio chain. The Mogami Gold Studio Microphone Cable is famous for unmatched accuracy, extremely low noise and remarkable flexibility. Top engineers rave about its amazing clarity and silent background. If accuracy in reproduction is your goal, this is the cable for you.

On Stage Stands Mic Boom Stand - MS7701B

Features a steel midpoint locking clutch, 30" removable boom. Tripod base folds flat. Black finish. Ask about our floor display! (Inv. #72037)Our best selling stand! This Euro Boom boasts a hybrid sheet metal and composite leg housing, making it virtually unbreakable. With a removable boom arm and its ability to fold flat, this stand is a must for every member of the band. Features a zinc mid-point clutch and black finish.

Features

Focusrite ISA-TWO Dual Mono Microphone Preamp

  • Lundahl LL1538 mic input transformer: Rupert Neve originally chose the Lundahl LL1538 to be the input transformer on the ISA 110. To this day the Lundahl transformer remains the best microphone input transformer available, and is used in every ISA Series mic pre. Rupert Neve also perfected the Zobel network found in the ISA circuit; something which takes a lot of knowledge and a golden set of ears. This allows the ISA mic pre to maintain an extremely flat frequency response across a very wide bandwidth.
  • Up to 80 dB of gain: ISA Two offers up to 80 dB of clean, distortion-free gain. The much-heralded ISA topology also ensures low-noise even at the highest gain levels. The transformer alone supplies 20 dB of gain, while ISA’s input stage offers up to 60 dB in addition, giving an astonishing 80 dB of maximum gain on the microphone input.
  • Variable input impedance: Four choices of input impedance, including the original ISA 110 value, allow you to match the preamp to your microphone, even if it's a vintage type, giving you the best possible sound. The impedance is selected using a switch on the front panel, and the impedance choice is remembered even once the unit is switched off and back on.
  • User-calibrated metering: Each channel has an eight-LED array to clearly display the level of your two signals. You can line up your analogue evels with your converters or DAW by using the calibration knob on the rear panel. You will be safe in the knowledge that you have avoided clipping on the way in.
  • Front-panel instrument and rear panel line inputs: Two 1/4in jack sockets on the front panel of ISA Two give you instant access to a transparent DI input. TRS line inputs are available on the rear panel too, and you can step through them instantly to select the one you want.
  • Variable cut-off high-pass filter: Built in, and easily accessed with its own large knob and illuminated button, is an extremely smooth-sounding 18 dB/octave high-pass filter of the same design as the original ISA 110 module. This is ideal for cutting out rumble, thumps and other unwanted low-frequency sounds and with a range of 16 to 420 Hz, it's easy to lose what you don’t want, and keep what you do.
  • Rear panel balanced inserts: Each channel of ISA Two has its own balanced insert point. With 1/4" TRS send and receive connections, your choice of signal processor can be connected and switched in and out using the illuminated switch on the front panel.

Specifications:

Front panel, per channel:

  • 1/4" instrument input
  • Variable input impedance - Low, ISA 110, Medium, High
  • Input selection - Mic, Line, Instrument
  • 0 - 30 dB/30 - 60 dB gain switch
  • Phantom power switch
  • Phase invert switch
  • 0 - 60 dB gain in 10 dB steps
  • 0 - +20 dB continuously variable trim
  • Variable high-pass filter with on/off switch
  • Insert point on/off switch
  • Eight-LED user-calibrated level meters
  • Single power switch

Rear panel, per channel:

  • XLR-F mic inputs
  • 1/4" TRS line inputs
  • 1/4" TRS Sends
  • 1/4" TRS Returns
  • XLR-M line output
  • Single peak meter calibration dial
  • Single IEC power socket

Measured Performance

Maximum Input and Output Levels    
Maximum Output Level +24 dBu with a THD+N < 0.01% at 1kHz measured with 150 Ω source impedance and 22Hz/22kHz band-pass filter



Maximum Microphone Transformer Input Level +7 dBu with a THD+N < 0.7% at 1kHz measured at 0 dB of gain with 150 Ω source impedance and 22Hz/22kHz band-pass filter



Mic Input Response    
Gain range 0 dB to +60 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim


Low = 600 Ω
Input Impedance Switched Impedance setting  ISA 110 = 1.4 kΩ
Equivalent Input Impedance at 1 kHz Med = 2.4 kΩ


High = 6.8 kΩ



EIN (Equivalent Input Noise) Measured at 60 dB of gain with 150 Ω source impedance and 22 Hz-22 kHz band pass filter -127 dB






Noise Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu






Signal-to-Noise Ratio Measured with 150 Ω source impedance and 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu






Total Harmonic Distortion + Noise Measured with a -20 dBu input signal at +30 dB of gain and with a 22 Hz-22 kHz band pass filter < 0.0007% at 1 kHz



Frequency Response At minimum gain (0 dB) -0.5 dB at 10 Hz, -1 dB at 135 kHz, relative to 1 kHz
At +60 dB gain -6 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz



CMRR (Common Mode Rejection Ratio) -94 dB for mic input at 60 Hz for max. output = +24 dBu
-91 dB for mic input at 10 kHz for max. output = +24 dBu



Crosstalk Channel to Channel Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB



Line Input Response    
Gain Range -20 dB to +10 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim



Input Impedance 10 kΩ from 10 Hz to 200 kHz



Noise Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter -97 dBu



Signal-to-Noise Ratio Measured with 50 Ω source impedance and a 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu



Total Harmonic Distortion + Noise Measured with a 0 dBu input signal, +10 dB of gain and a 22 Hz-22 kHz band pass filter < 0.002% at 1 kHz



Frequency Response At unity gain (0 dB) -0.3 dB at 10 Hz, -1 dB at 80 kHz, relative to 1 kHz



Crosstalk Channel to Channel Line input, with I/P = 0 dBu, gain = 0dB @ 1 kHz input to channel A Channel B output = -91 dB



Instrument Input Response    
Gain Range +10 dB to +40 dB continuously variable trim



Input Impedance > 2 MΩ



Noise >Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB) = -95 dBu



Frequency Response At minimum gain (+10 dB) -0.1 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz
At maximum gain (+40 dB) -2.5 dB at 10 Hz,  -1 dB at 110 kHz, relative to 1 kHz



High-Pass Filter    
Roll-Off 18 dB per octave (3 pole filter)



Frequency Range Continuously variable from 16 Hz to 420 Hz (-3 dB)



Weight and Dimensions    
W x D x H 480 mm x 280 mm x 44 mm



Weight 3.7 kg

 Golden Age Project FC4st

  • Matching Products : Mic pair stereo matched within 1 dB
  • Microphone Capsule : Pressure-gradient true condenser; 20 mm, 3um gold-sputtered
  • Polar Pattern : Cardioid
  • Frequency Response : 20 Hz to 20 kHz
  • Sensitivity : 14.5 mV / -37 dB (0 dB=1 V/Pa) @ 1 kHz
  • Equivalent Noise : (A-weighted per IEC 268-4): < 17 dB typical
  • Maximum SPL : (<1% THD @ 1 kHz): 140 dB
  • Output Impedance : 250Ω
  • Recommended Load Impedance : 1000Ω or more.
  • Controls : 1 x switchable pad per mic (10 dB)
  • 1 x switchable high-pass filter per mic (6 dB / octave @ 100 Hz)
  • Current Consumption : < 3 mA
  • Operating Voltage : 48 V phantom power
  • Dimensions : 0.91 x 6" (23 x 153 mm)
  • Weight : 5 oz (142 g) each

 Mogami Gold Studio 25' Microphone Cable

  • Wired with Neglex Studio Quad
  • Offers superior clarity and freedom from noise/RF interference
  • Terminated with black body 3-pin XLR connectors and gold contacts
  • Lifetime warranty

 On Stage Stands Mic Boom Stand - MS7701B

Specifications

  • Boom Length: 30ǃ_
  • Height Adj.: 36-64ǃ_
  • Base Spread: 23ǃ_
  • Gross Weight: 5.15 lbs

Features

  • The easy-to-use Euro-Style clutch featured on the boom stands in this series allow for convenient one-handed angle adjustments on stage.
  • Tripod base leg housing is made from a combination of plastic and steel that folds for easy storage and travel.
SKU FOC-ISATWO-BUN2
Brand Focusrite
Weight 15.0000
Dimensions (WxHxD) No

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