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Focusrite Clarett 2Pre With Presonus Eris E5 Monitor + Cable

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Focusrite Clarett 2Pre With Presonus Eris E5 Monitor + Cable

10 x 4 Thunderbolt interface/two Clarett mic preamps With High Definition Active Studio Monitors + 10ft RCA-1/4" Dual Cable

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Regular Price: $658.89

Special Price: $599.99

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Product Description for the Focusrite Clarett 2Pre With Presonus Eris E5 Monitor + Cable

Product Description for Focusrite Clarett 2Pre With Presonus Eris E5 Monitor + Pig Hog PD-R1410 10ft RCA-1/4" Dual Cable

Package Includes

1 x Focusrite Clarett 2Pre 

1 x Presonus Eris E5 Monitor

1 x Pig Hog PD-R1410 10ft RCA-1/4" Dual Cable

Better. Faster. Easier.

Excellent sound is the quality Clarett owners love most. With up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and two specially-designed mic preamps with a unique analogue “Air” effect, Clarett 2Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.67ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.

Two New Clarett Mic Pres with extra ‘Air’

The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special “Air” feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.

Precision Digital Conversion

Clarett features Focusrite’s class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.

The clarity of Clarett

The Clarett range is acclaimed for its sound quality. It's due partly to Clarett's specially-designed mic pres with the unique "Air" effect, adding air and clarity especially to vocals and acoustic instruments. Plus Focusrite's precision digital conversion, carefully balancing noise floor, dynamic range, frequency response and distortion for the best possible sound to and from your DAW.

We invited audio engineering professionals to a blind listening test at Riverside Studios in Berlin to compare the sound of Clarett to that of the Apollo 8p, from Universal Audio, makers of the Apollo Duo; and the Apogee Ensemble. What did they discover? Watch the Thunderbolt Interface Shootout and find out!

Plug Straight In

Do not underestimate the quality of the Clarett range DI. This newly designed instrument input allows for even the hottest of guitar pick-ups to be recorded without clipping, and the performance specifications easily match some of the finest dedicated DI’s on the market. Coupled with the low latency environment, now you can get the most out of recording through your favourite amp sim and guitar effect plug-ins in real time.

Revolutionise your Workflow

Clarett’s ultra-low round-trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favourite plugins while recording too – whether it’s reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.

Presonus Eris E5 Monitor

When mixing music you want a pair of studio monitors that will accurately reveal the truth about what you're listening to, and the Eris series from PreSonus are designed to do just that. With its 5" Kevlar low-frequency transducer, the compact Eris E5 sports a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that's impressive.Thanks to well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.

Both Eris models provide balanced XLR, balanced ¼" TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼" TS outputs, simply use a ¼"-to-RCA adapter or adapter cable.) 

You're in control!

Today's music producers deal with a wide variety of musical genres and often work in more than one location. It's easy to take your Eris speakers with you when you want to work in a different space. It's almost as easy to customize their sound for your room and type of music.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system-that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you've gain-staged your system, you can leave this control alone.

The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer. 

Safety Matters

Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you've ever heard a radio broadcast unexpectedly coming out of a guitar amp, that's the result of RF interference.)

Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer's performance.

Pig Hog PD-R1410 10ft RCA-1/4" Dual Cable

The Pig Hog Solutions line features an expanding selection of adapters and cables designed to solve common interfacing problems in the studio and on stage. Each cable is manufactured to our high quality standards to insure transparent reproduction of the source audio without any coloration or distortion.

Dual cables are a great way to keep track of stereo signals. Pig Hog dual cables feature heavy duty molded connectors with built in strain relief, color coded for easy iedentification of Left and Right Channels, and an extra thick tour grade PVC sleeve.

Pig Hog is designed by musicians, for musicians. Our goal is to provide the highest quality performance with outstanding value. We understand that your cables need to sound great and perform reliably night after night, without costing you an arm or a leg! That's why we back up our quality with a Limited Lifetime Warranty, so you can be sure your Pig Hog cables will be an integral part of your rig for years to come.

Features

Focusrite Clarett 2Pre

Microphone Inputs

  • Frequency Response : 20 Hz - 20 kHz +/-0.1 dB (min gain)
  • Dynamic Range : 118 dB (A-weighted)
  • THD+N : 0.001%
  • Noise EIN : –128 dBu (A-Weighted)
  • Maximum input level : +18 dBu
  • Gain Range : 57dB

Line Inputs

  • Frequency Response : 20 Hz - 20 kHz +/-0.1 dB
  • Dynamic Range : 118 dB (A-weighted)
  • THD+N : 0.001%
  • Maximum input level : 26dBu
  • Gain Range : 57dB

Instrument Inputs

  • Frequency Response : 20 Hz – 20 kHz ± 0.1 dB
  • Dynamic Range : 116 dB (A-weighted)
  • THD+N : 0.001%
  • Maximum input level : +14dBu
  • Gain Range : 57dB

Line & Monitor Outputs

  • Dynamic Range (Line Outputs) : 119dB
  • Dynamic Range (Monitor Outputs) : 118dB
  • Maximum Output Level (0 dBFS) : +16 dBu, balanced
  • THD+N : 0.0007%

Headphone Outputs

  • Dynamic Range : 116dB
  • THD+N : 0.0008%
  • Maximum Output Level : +16dBu

Compatibility

  • MacOS Sierra : Yes
  • There is a known issue with 5k Retina iMacs (model 17,1), please see this article
  • Mac 10.11 : Yes
  • There is a known issue with 5k Retina iMacs (model 17,1), please see this article
  • Mac 10.10 : Yes
  • Mac 10.9 : Yes
  • Mac 10.8 : No
  • Windows 10 AU (Redstone) : Yes
  • Supported with Thunderbolt 1 or Thunderbolt 2 connections. Thunderbolt 3 is not yet supported, please see this article.
  • Windows 10 : Yes
  • Supported with Thunderbolt 1 or Thunderbolt 2 connections. Thunderbolt 3 is not yet supported, please see this article.
  • Windows 8.1 : Yes
  • Supported with Thunderbolt 1 or Thunderbolt 2 connections. Thunderbolt 3 is not yet supported, please see this article.
  • Windows 7 : No
  • Windows 7 is not supported or tested, though it may still work.

Presonus Eris E5 Monitor

  • 5.25-inch Kevlar low-frequency transducer
  • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
  • 70 watt Class AB biamplification
  • Front-firing acoustic port for superior bass-frequency reproduction
  • Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, : 2, : 4 dB) for accurate mixing contour
  • RF interference, output current limiting, over-temperature, transient, and subsonic protection
  • Optimized, resonance-suppressing internal bracing
  • Balanced XLR/¼-inch and unbalanced RCA inputs

Inputs

  • 1- Balanced XLR
  • 1- Balanced ¼" TRS
  • 1- Unbalanced RCA

Performance

  • Frequency Response 53 Hz : 22 kHz
  • Crossover Frequency 3 kHz
  • LF Amplifier Power 45W
  • HF Amplifier Power 35W
  • Peak SPL (@ 1 meter) 102 dB
  • LF Driver 5.25" Kevlar
  • HF Driver 1" silk dome
  • Input Impedance 10 kÎ

User Controls

  • Volume Range A-type taper
  • MF Control : 6, 0, +6 dB
  • HF Control : 6, 0, +6 dB
  • Low Cut Flat, 80 Hz, 100 Hz
  • Acoustic Space Flat, : 2 dB,4 dB

Protection

  • RF interference
  • Output-current limiting
  • Over-temperature
  • Turn-on/off transient
  • Subsonic filter
  • External mains fuse

Power

  • 100-120V ~50/60 Hz or 220-240V ~50/60 Hz

Cabinet

  • Vinyl-laminated, medium-density fiberboard

Physical

  • Width  : 7" (178 mm)
  • Depth  : 7.68" (195 mm)
  • Height  : 10.24" (260 mm)
  • Weight  : 10.2 lbs (4.63 kg)

Pig Hog PD-R1410 10ft RCA-1/4" Dual Cable

  • Dual RCA (male) to Dual 1/4" mono (male)
  • Heavy Duty Molded Connectors
  • Tough PVC exterior
  • 10ft length

Compatability :

https://us.focusrite.com/downloads/os

SKU FOC-CLARETT2PRE-BUN3
Brand Focusrite
Weight 16.0000
Dimensions (WxHxD) No

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Focusrite Clarett 2Pre With Presonus Eris E5 Monitor + Cable

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