Neumann TLM102 + ISA-One Pre + Mogami Cable

The Neumann TLM 102 defines a new generation of studio condenser microphones. This applies not only to the design of the microphone but also to its price.

Neumann reduced the overall size of the TLM 102 mic to make it exceptionally compact. Here's a microphone that unites all of the design components typical of a Neumann mic. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 condenser mic attracts attention.

In the interior of the TLM 102 is a newly developed large-diaphragm cardioid capsule with a maximum sound pressure level of 144dB. Use the TLM 102 to record percussion, drums, amps, and other very loud sound sources.

Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102 condenser mic. However its most important applications are in the realm of vocals and speech. A slight boost above 6kHz provides for excellent voice presence in the overall mix. Up to 6kHz, the frequency response is extremely linear, ensuring minimal coloration, and a clearly defined bass range. The TLM 102 mic capsule's elastic suspension suppresses structure-borne noise. A pop screen integrated into the grille attenuates plosives in vocal and speech recording.

Due to its price and flexible field of application, the Neumann TLM 102 is an ideal condenser microphone for home recording and project studios, as well as for broadcasting—especially when clear lines of sight to the speakers are a priority.

The ‘ISA One’ microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.)

The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.

A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia.

Independent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilise all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up.

ISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit.

An optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite’s custom analogue circuitry. This optional card can be retrofitted at any time and provides two channels of 24 bit/192kHz A-D conversion with a dynamic range of 119dB.

From large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.