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2x PreSonus Eris E5 + Central Station PLUS + Stands + MoPADs + Cables

Studio Monitor Pair with Monitor Controller, Stands, Isolation Pads, and Premium Cables

2x PreSonus Eris E5 + Central Station PLUS + Stands + MoPADs + Cables

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Regular Price: $1,129.73

Special Price: $899.85

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Product Description for the 2x PreSonus Eris E5 + Central Station PLUS + Stands + MoPADs + Cables

Package Includes :

2 x PreSonus Eris E5

1 x PreSonus Central Station PLUS

2 x Mogami 10' TRS-XLRM Cable

1 x Ultimate Stands

1 x Auralex MoPADs

PreSonus Eris E5

When mixing music you want a pair of studio monitors that will accurately reveal the truth about what you're listening to, and the Eris series from PreSonus are designed to do just that. With its 5" Kevlar low-frequency transducer, the compact Eris E5 sports a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that's impressive.Thanks to well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.

Both Eris models provide balanced XLR, balanced ¼" TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼" TS outputs, simply use a ¼"-to-RCA adapter or adapter cable.) 

You're in control!

Today's music producers deal with a wide variety of musical genres and often work in more than one location. It's easy to take your Eris speakers with you when you want to work in a different space. It's almost as easy to customize their sound for your room and type of music.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system-that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you've gain-staged your system, you can leave this control alone.

The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer. 

Safety Matters

Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you've ever heard a radio broadcast unexpectedly coming out of a guitar amp, that's the result of RF interference.)

Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer's performance.

PreSonus Central Station PLUS

You mostly monitor on near-fields, but occasionally switch to big, honking Main speakers or a second set of near-fields. You want to hear what your mix sounds like with and without subwoofer bass. And you want to be able to monitor straight from digital sources as well as analog. Meet the Central Station PLUS.

It's one of our most popular products for professional studios because it provides the perfect combination of stereo inputs, outputs, and recording-communication functions, allowing you to easily manage multiple sources and monitor speakers.

With Central Station, you can easily switch between three sets of stereo, analog input sources with individual level controls. Two stereo S/PDIF digital sources connect via one coax and one Toslink optical port. You can audition these sources with up to three pairs of speakers, with individual trim pots for each speaker—recessed to avoid accidents. You also get a pair of line-level main outputs, a pair of line-level cue outputs to feed a headphone-distributions system (such as our HP60 or HP4), and two screaming-loud headphone amplifiers with individual level controls.

Finally, with the included Control Station Remote (CSR-1), you can remote-control the Central Station's main volume, input select, output select, talkback, mute, dim, and mono functions from your desktop. The CSR-1 wires to the Central Station via a DE15 connector, enabling you to keep the Central Station in your rack and control it from your work surface, providing maximum convenience with minimum wiring.

The pros know that for critical listening, a monitor-control system must be as sonically transparent as possible. That's why we gave the Central Station an audiophile-quality, passive signal path, with no op-amps or ICs, and equipped the S/PDIF inputs with high-definition, 24-bit, 192 kHz D/A converters that deliver 115 dBu of dynamic range.

To enable you to watch your levels, the Central Station sports dual 30-segment, tri-colored, fast-acting, peak-hold LED meters, which can display dBu and dBfs. You can calibrate these meters to match your DAW or other audio device, and a handy switch lets you clear the peak-hold.

Speak to the musicians over the headphone and cue buses using the onboard talkback microphone or connect a mic to the XLR talkback input. The cue signal is automatically dimmed when you use the talkback mic, and a jack admits a footswitch for hands-free talkback operation. Finally, with the optional CSR-1, you can remote-control the Central Station's main volume, input select, output select, talkback, mute, dim, and mono functions.

With pristine audio quality; the ability to switch between multiple analog and digital sources and three sets of speakers; fast, accurate metering; and all of the extras that make your studio work easier and more efficient, it's obvious why the Central Station is the professional engineer's choice for monitor control.

Mogami 10' TRS-XLRM Cable

This balanced patch cable with gold-pin/black body ¼" TRS and male XLR connectors is a popular choice for powered speakers. Mogami Gold TRS-XLRM uses Neglex Studio Quad cabling, legendary for clarity and freedom from noise/RF interference. Neglex type Quad cables are designed for the highest quality recording applications where maximum definition is critical.

Ultimate Stands

If you're just starting out and have smaller studio monitors that you'd like to set on stands, the JS-MS70 is the perfect solution for you! The stable low-profile base can easily be positioned into tight spaces.

Auralex MoPADs

Your loudspeakers are the most critical components you use to verify the quality of your work. No matter how good your mixer, mics, preamps, cables, and other pieces of gear that you've invested in, you're not truly hearing what your recordings sound like until you isolate your monitors from their environment.

This is where the Auralex MoPADs come in. MoPAD Monitor Isolation Pads provide sonic isolation between your monitors and whatever your monitors are resting on, INSTANTLY improving the accuracy of your entire monitoring system.

MoPADs are affordable, easy to implement and really effective at decoupling your monitors from your room and all its contents. You've gotta get some! Until you do, you'll never know what your recordings really sound like.

Features

PreSonus Eris E5

  • 5.25-inch Kevlar low-frequency transducer
  • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
  • 70 watt Class AB biamplification
  • Front-firing acoustic port for superior bass-frequency reproduction
  • Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, : 2, : 4 dB) for accurate mixing contour
  • RF interference, output current limiting, over-temperature, transient, and subsonic protection
  • Optimized, resonance-suppressing internal bracing
  • Balanced XLR/¼-inch and unbalanced RCA inputs

Inputs

  • 1- Balanced XLR
  • 1- Balanced ¼" TRS
  • 1- Unbalanced RCA

Performance

  • Frequency Response 53 Hz : 22 kHz
  • Crossover Frequency 3 kHz
  • LF Amplifier Power 45W
  • HF Amplifier Power 35W
  • Peak SPL (@ 1 meter) 102 dB
  • LF Driver 5.25" Kevlar
  • HF Driver 1" silk dome
  • Input Impedance 10 kÎ

User Controls

  • Volume Range A-type taper
  • MF Control : 6, 0, +6 dB
  • HF Control : 6, 0, +6 dB
  • Low Cut Flat, 80 Hz, 100 Hz
  • Acoustic Space Flat, : 2 dB,4 dB

Protection

  • RF interference
  • Output-current limiting
  • Over-temperature
  • Turn-on/off transient
  • Subsonic filter
  • External mains fuse

Power

  • 100-120V ~50/60 Hz or 220-240V ~50/60 Hz

Cabinet

  • Vinyl-laminated, medium-density fiberboard

Physical

  • Width  : 7" (178 mm)
  • Depth  : 7.68" (195 mm)
  • Height  : 10.24" (260 mm)

PreSonus Central Station PLUS

  • 3 sets of stereo analog inputs let you switch between sources
  • 2 sets of S/PDIF digital inputs (coax and optical)
  • 3 sets of stereo speaker outputs with
  • Passive audio path: no op amps or IC's in main audio path
  • Onboard talkback microphone
  • Talkback microphone input w/level control (feeds headphone and cue outputs)
  • Dual 30-segment, fast-acting, peak-hold LED metering (dBu and dBfs) with:
  • Footswitch jack for hands-free talkback operation

Mogami 10' TRS-XLRM Cable

  • The finest patch cable you can buy for neutral tone and noise rejection
  • Conductor insulation is XLPE (Cross-Linked Polyethylene) for excellent sonic clarity
  • Mogami Signature Ultra High Density Spiral Pure Copper Shield for superior sound quality and silent background
  • A perfect choice for high end audio equipment

Ultimate Stands

  • Height-adjustable stand for studio monitors
  • Locking pin ensures stable and accurate height positions
  • Leveling floor spikes and rubber feet included
  • Low-profile base can be easily positioned into tight spaces
  • Product Name : JS-MS70
  • Part Number : 17441
  • Locking Heights : 32.25”, 36.25, 40.25”, 44.25” (819mm, 1022mm, 1124mm)
  • Platform Dimensions : 9” x 9” (229mm x 229mm)
  • Base Dimensions : 17.25” x 17.25” x 17.25” (438mm x 438mm x 438mm)

Auralex MoPADs

  • Acoustic isolation for your studio monitors and more
  • Adjustable angles of 0, 4, 8, -4 and -8 degrees
  • Color : Charcoal
  • Each package contains four MoPADs — enough for two monitors
  • Dimensions : 12" L x 4" W
SKU PRE-ERISE5-BUN4
Brand Presonus
Weight 43.0000
Dimensions (WxHxD) No

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